Reading women writers who mourn their mothers in postcolonial India, with Arundhati Roy's memoir Mother Mary Comes to Me.

In Tam, E.M.L. (ed.) Subtexts, pref. Robin Mackay · Co-authored book chapter examining underground and subterranean visual imaginaries in contemporary cinema.

An essay examining Mira Nair's Kama Sutra: A Tale of Love (1996) as a landmark feminist film, exploring how its censorship history exposes the contested terrain of female sexuality, postcolonial nationalism, and the Western gaze in Indian cinema.

Essay exploring the intersection of labour, gesture and cinematic form, reading the body of the worker as a site of political and aesthetic mediation.

A triptych of prose poems and photographs published in Counterfield II