SANJITA MAJUMDER
ESSAYS
​Reproductive Work and Sexual Labour: Mira Nair's India Cabaret
Reading Mira Nair's 1985 feminist documentary as an early study in sexual economy tracing the lives of two bar dancers in Bombay through the lens of social reproduction theory and the politics of unwaged labour.
Tremor: Teju Cole's Trembling Reflections on Blackness in the History of Art
Reading Teju Cole's Tremor as a talisman against colonial amnesia, tracing its protagonist's encounters with race, Western art history and the psychic weight of the Black experience.
While We Watched: Ravish Kumar an Intimate Portrait of Journalistic Courage
A review of Vinay Shukla's documentary on NDTV anchor Ravish Kumar examining the collapse of broadcast journalism in India's largest democracy and one man's refusal to be dehumanised by it.
'The Years' Annie Ernaux as Ethnographer of Memories
Reading Ernaux's The Years, Happening and A Girl's Story as interconnected works of autofiction tracing class, gender and memory across a lifetime of reinvention.
How Narcopolitics and Racial Capitalism Work in Amitav Ghosh's The Ibis Trilogy and Smoke and Ashes
Amitav Ghosh's fiction and nonfiction in parallel examining how the opium trade illuminates the moral double standards of racial capitalism and the colonial origins of the global drug economy.
Postcolonial Gestures: Cultural Transference in 'Creature'
Part two of the Creature essay tracing the collision of Kathak and classical European ballet as a postcolonial encounter, reading Akram Khan's choreography through Satyajit Ray's Shatranj Ke Khilari and the cultural hierarchies embedded in gestural form..
'All That Breathes' Review: Shaunak Sen's Timely Exploration of Climate Change
A review of Shaunak Sen's award winning documentary reading the story of two Muslim brothers rescuing dying black kites in Delhi as both an ecological portrait and an oblique record of minority life under political siege.
The Afterlives of G. Aravindan's Thampū: Parallel Cinema and Spectatorship
On Aravindan's 1978 docufiction Thampū, screened at the Barbican's Rewriting the Rules programme examining the film's staging of a real life encounter between a travelling circus and a Kerala village as a meditation on spectatorship, ritual and collective experience.
Spectral Resurgence: Silent Cinema in Asif Kapadia and Akram Khan's Creature
Part one of a two-part essay on Akram Khan's Creature reading its use of pure cinema and gestural language as a return to silent film, where the body becomes the sole carrier of racial and colonial memory.
'Novelist as a Vocation' Review: How Murakami Animates the Surreal World of His Fiction
Reading Murakami's essay collection as a defence of the novelist's slow time tracing his journey from bestselling outcast in Japan to global literary figure, and what it reveals about creativity, endurance and the gatekeepers of culture.