DR. SANJITA MAJUMDER
ESSAYS
Postcolonial Gestures: Cultural Transference in Creature
Part two of the Creature essay — tracing the collision of Kathak and classical European ballet as a postcolonial encounter, reading Akram Khan's choreography through Satyajit Ray's Shatranj Ke Khilari and the cultural hierarchies embedded in gestural form.
'All That Breathes' Review: Shaunak Sen's Timely Exploration of Climate Change
A review of Shaunak Sen's award-winning documentary — reading the story of two Muslim brothers rescuing dying black kites in Delhi as both an ecological portrait and an oblique record of minority life under political siege.
The Afterlives of G. Aravindan's Thampū: Parallel Cinema and Spectatorship
On Aravindan's 1978 docufiction Thampū, screened at the Barbican's Rewriting the Rules programme — examining the film's staging of a real-life encounter between a travelling circus and a Kerala village as a meditation on spectatorship, ritual and collective experience.
'Novelist as a Vocation' Review: How Murakami Animates the Surreal World of His Fiction
Reading Murakami's essay collection as a defence of the novelist's slow time — tracing his journey from bestselling outcast in Japan to global literary figure, and what it reveals about creativity, endurance and the gatekeepers of culture.
ACADEMIC PUBLICATIONS
Peer-reviewed articles, book chapters & working papers
Towards a Feminist Political Economy of Time: Labour Circulation, Social Reproduction and the 'Afterlife' of Cheap Labour
Review of International Political Economy, Vol. 29
Co-authored peer-reviewed article examining the feminisation of labour in South Asia through the lens of social reproduction theory and feminist political economy
Subterranean Cinematic Landscapes
In Tam, E.M.L. (ed.) Subtexts, pref. Robin Mackay · Urbanomic, 2022
Co-Authored book chapter examining underground and subterranean visual imaginaries in contemporary cinema
Choreography of Labour: Towards a Gestural Cinema and Pure Mediality
Counterfield Publication, 2020
An essay exploring the intersection of labour, gesture and cinematic form, reading the body of the worker as a site of political and aesthetic mediation